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Lucas Cranach

1472-1553 German Lucas Cranach Locations

Gemälde ID::  640

Adam und Abend
1531 Staatliche Museen, Berlin
der Staatlichevon 1531 Hat, Berlin Nachgesonnen
1472-1553 German Lucas Cranach Locations

   
 

 

 
   
      

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Jan Van Eyck

1395-1441 Flemish Jan Van Eyck Locations

Gemälde ID::  10074

Adam und Abend
1432Oil on wood St. Bavon, Ghent, Belgium.
1432 Öl auf Holzstr. Bavon, Ghent, Belgien.
1395-1441 Flemish Jan Van Eyck Locations

   
 

 

 
   
      

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Hans Thoma

German Symbolist Painter, 1839-1924

Gemälde ID::  29100

Adam und Abend
mk65 1897 Oil on canvas 43x31"
das Öl von mk65 1897 aufLeinwand 43x31
German Symbolist Painter, 1839-1924

   
 

 

 
   
      

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Frans Floris de Vriendt

c.1517-70, Flemish painter

Gemälde ID::  29937

Adam und Abend
mk67 Oil on panel 69 5/16x59 1/16in Pitti,Palatine Gallery
mk67 Öl auf Unterausschuss 69 5/16x59 1/16in Pitti Palatine Galerie
c.1517-70, Flemish painter

   
 

 

 
   
      

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Albrecht Durer

b.May 21, 1471, Imperial Free City of N??rnberg [Germany] d.April 6, 1528, N??rnberg

Gemälde ID::  40299

Adam und Abend
mk156 1507 Oil on panel
das Öl von mk156 1507 auf Unterausschuss
b.May 21, 1471, Imperial Free City of N??rnberg [Germany] d.April 6, 1528, N??rnberg

   
 

 

 
   
      

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Suzanne Valadon

French Post-Impressionist Painter, 1865-1938

Gemälde ID::  40874

Adam und Abend
mk156 1909 Oil on canvas 162x131cm
das Öl von mk156 1909 auf Leinwand 162x131cm
French Post-Impressionist Painter, 1865-1938

   
 

 

 
   
      

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Albrecht Durer

b.May 21, 1471, Imperial Free City of N??rnberg [Germany] d.April 6, 1528, N??rnberg

Gemälde ID::  42333

Adam und Abend
mk168 252x195mm
mk168 252x195mm
b.May 21, 1471, Imperial Free City of N??rnberg [Germany] d.April 6, 1528, N??rnberg

   
 

 

 
   
      

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Peter Paul Rubens

Flemish Baroque Era Painter, 1577-1640

Gemälde ID::  45410
Adam and Eve
mki186 1598 Antwerp, Rubenshuis
Flemish Baroque Era Painter, 1577-1640

   
 

 

 
   
      

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Gustav Klimt

Austrian Art Nouveau Painter, 1862-1918

Gemälde ID::  56507
adam and eve
mk247 1917 to 18,oil on canvas,17.5x23.625 in,173x60 cm,osterreichische galerie belvedere,vienna,austria
Austrian Art Nouveau Painter, 1862-1918

   
 

 

 
   
      

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Tintoretto

Italian Mannerist Painter, ca.1518-1594

Gemälde ID::  56692
adam and eve
mk247 c.1550,oil on canvas,59x86.5 in,150x220 cm,gallerie dell-accademia,venice,ltaly
Italian Mannerist Painter, ca.1518-1594

   
 

 

 
   
      

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CRANACH, Lucas the Elder

German painter (b. 1472, Kronach, d. 1553, Weimar).

Gemälde ID::  56697
adam and eve
mk247 c.1530,oil on wood,private collection
German painter (b. 1472, Kronach, d. 1553, Weimar).

   
 

 

 
   
      

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Hans Holbein

German 1497-1543 Hans Holbein Galleries

Gemälde ID::  57108
Adam and Eve
mk252 paper board painting 30 x 35 cm in 1517
German 1497-1543 Hans Holbein Galleries

   
 

 

 
   
      

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Albrecht Durer

b.May 21, 1471, Imperial Free City of N??rnberg [Germany] d.April 6, 1528, N??rnberg

Gemälde ID::  58705
Adam and Eve
Adam and Eve, by Albrecht D??rer (1507).
b.May 21, 1471, Imperial Free City of N??rnberg [Germany] d.April 6, 1528, N??rnberg

   
 

 

 
   
      

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GIUSTO de Menabuoi

Italian painter, Florentine school (b. ca. 1320, Firenze, d. 1391,

Gemälde ID::  62378
Adam and Eve
1376-78 Fresco Baptistry, Cathedral, Padua Author: GIUSTO de' Menabuoi Title: Adam and Eve (detail) , 1351-1400 , Italian Form: painting , religious
Italian painter, Florentine school (b. ca. 1320, Firenze, d. 1391,

   
 

 

 
   
      

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GOSSAERT, Jan (Mabuse)

Flemish Northern Renaissance Painter, ca.1478-1532

Gemälde ID::  63046
Adam and Eve
1520 Oil on panel, 168,9 x 111,4 cm Royal Collection, Windsor This theme occurs at least nine times in Mabuse's painted and graphic oeuvre, but none of these renderings is dated. On grounds of style, however, the present painting would seem to have been undertaken after the Neptune and Amphitrite of 1516 (Berlin, Staatliche Museen) or the Hercules and Deinara of 1517 (Birmingham, Barber Institute of Fine Arts), and to have preceded the Adam and Eve dating from around 1525 (Berlin, Staatliche Museen). In general terms, as his career developed, Mabuse evolved compositions of greater complexity characterised by a repertoire of contorted poses with exaggerated anatomy and a vivid treatment of chiaroscuro. At the same time his technique became altogether freer. The Adam and Eve in the Royal Collection may date from around 1520. Mabuse refers to a number of prints for the poses of Adam and Eve: D?rer's Adam and Eve of 1504, Jacopo de' Barbari's Mars and Venus and Marcantonio Raimondi's Adam and Eve after Raphael. The pose of Eve is perhaps more specifically related to D?rer's engraving known as The Dream of the Doctor, particularly the upper part of the body. Mabuse had visited Italy in 1508-9 and became a prime exponent of Northern Mannerism, a style that evolved principally from the cross-fertilisation of German and Italian art. Quite apart from the large scale of the painting, the prominence of the foreground figures is still further enhanced by the sudden drop down to the middle-ground, dominated by a fountain set in the Garden of Eden. Fanciful architecture of this kind is frequently found in Mabuse's work. He was also a remarkably fine painter of the nude. The treatment of the musculature may not be to modern taste, but it was undoubtedly inspired by classical sculpture. The handling of the hair, especially Eve's long tresses, which may have influenced Milton, was a speciality of the artist. Supplementing the narrative of The Fall as recounted in the second and third chapters of Genesis is a certain amount of symbolism, which is illustrated in Mabuse's work: the two trees represent the Tree of Life and the Tree of Good and Evil, while the plants in the immediate foreground (columbine and sea holly) probably symbolise the contrasting emotions of the fear of God and the lust experienced by Adam and Eve in the Garden of Eden. Adam wears an apron of leaves, but Eve is still technically naked. Mabuse was concerned to paint an epitome of the theme and was therefore disposed to take liberties with the biblical text. This painting was presented by the States-General of Holland to Charles I in 1636. It was sold in 1650 after the death of Charles I, but was recovered at the time of the Restoration. It has been suggested that John Milton, who was appointed Latin Secretary to Cromwell's Council of State in 1649, may have seen the work before it was sold, since the description of Adam and Eve in Paradise Lost (Book 4, lines 300-18) is fairly close. Artist: GOSSAERT, Jan (Mabuse) Painting Title: Adam and Eve , 1501-1550 Painting Style: Flemish , , religious
Flemish Northern Renaissance Painter, ca.1478-1532

   
 

 

 
   
      

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Albrecht Durer

b.May 21, 1471, Imperial Free City of N??rnberg [Germany] d.April 6, 1528, N??rnberg

Gemälde ID::  63661
Adam and Eve
1504 Pen drawing with watercolours, 242 x 201 mm The Pierpont Morgan Library, New York D?rer prepared his masterly engraving of Adam and Eve in numerous individual studies. This pen drawing was created immediately before the copper engraving and concentrates entirely on the depiction and three-dimensional structure of the male and female nudes. The body posture of the two figures shown here is already identical down to the last detail with that of the copper engraving.Artist:D?RER, Albrecht Title: Adam and Eve Painted in 1501-1550 , German - - graphics : study
b.May 21, 1471, Imperial Free City of N??rnberg [Germany] d.April 6, 1528, N??rnberg

   
 

 

 
   
      

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RAFFAELLO Sanzio

Italian High Renaissance Painter, 1483-1520

Gemälde ID::  63804
Adam and Eve
1509-11 Fresco, 120 x 105 cm Stanza della Segnatura, Palazzi Pontifici, Vatican This portrayal of the Fall is generally attributed to Raphael. Standing in a distinct contrapposto pose, Eve recalls the figure of Leda in a study by Leonardo da Vinci - Raphael made a drawing of this while he was in Florence.Artist:RAFFAELLO Sanzio Title: Adam and Eve (ceiling panel) Painted in 1501-1550 , Italian - - painting : religious
Italian High Renaissance Painter, 1483-1520

   
 

 

 
   
      

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Albrecht Durer

b.May 21, 1471, Imperial Free City of N??rnberg [Germany] d.April 6, 1528, N??rnberg

Gemälde ID::  75451
Adam and Eve
1507(1507) 209 X 81 & 209 X 83 cm cjr
b.May 21, 1471, Imperial Free City of N??rnberg [Germany] d.April 6, 1528, N??rnberg

   
 

 

 
   
      

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Albrecht Durer

b.May 21, 1471, Imperial Free City of N??rnberg [Germany] d.April 6, 1528, N??rnberg

Gemälde ID::  77333
Adam and Eve
Français : tableau Dimensions 209 x 81 & 209 x 83 cm cyf
b.May 21, 1471, Imperial Free City of N??rnberg [Germany] d.April 6, 1528, N??rnberg

   
 

 

 
   
      

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Lucas Cranach

1472-1553 German Lucas Cranach Locations

Gemälde ID::  86079
Adam and Eve
1538(1538) Medium Oil on linden Dimensions 49 x 39 cm (19.3 x 15.4 in) cyf
1472-1553 German Lucas Cranach Locations

   
 

 

 
   
      

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Jan Gossaert Mabuse

1478-1534 Flemish Jan Gossaert Mabuse Galleries

Gemälde ID::  86254
Adam and Eve
Date c. 1525(1525) Medium Oil on oak panel Dimensions Height: 170 cm (66.9 in). Width: 114 cm (44.9 in). cjr
1478-1534 Flemish Jan Gossaert Mabuse Galleries

   
 

 

 
   
      

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Lucas Cranach the Younger

(October 4, 1515 ?C January 25, 1586) was a German Renaissance artist, known for his woodcuts and paintings. He was a son of Lucas Cranach the Elder who began his career as an apprentice in his father's workshop. Henceforth, his own reputation and fame grew. After his father's death, he assumed control over the workshop. The style of their paintings can be so similar that there have been some difficulties in attribution of their works.

Gemälde ID::  86418
Adam and Eve
Date after 1537(1537) Medium Oil on linden Dimensions Height: 171 cm (67.3 in). Width: 63 cm (24.8 in). (each) cjr
(October 4, 1515 ?C January 25, 1586) was a German Renaissance artist, known for his woodcuts and paintings. He was a son of Lucas Cranach the Elder who began his career as an apprentice in his father's workshop. Henceforth, his own reputation and fame grew. After his father's death, he assumed control over the workshop. The style of their paintings can be so similar that there have been some difficulties in attribution of their works.

   
 

 

 
   
      

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Hans holbein the younger

b. 1497, Augsburg, d. 1543, London

Gemälde ID::  87785
Adam and Eve
1517(1517) Medium Oil on paper mounted on wood cyf
b. 1497, Augsburg, d. 1543, London

   
 

 

 
   
      

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Hans Thoma

German Symbolist Painter, 1839-1924

Gemälde ID::  88512
Adam and Eve
1897(1897) Medium English: Oil on Canvas cjr
German Symbolist Painter, 1839-1924

   
 

 

 
   
      

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Jacob Jordaens

Flemish Baroque Era Painter, 1593-1678

Gemälde ID::  90705
Adam and Eve
1640s Medium oil on canvas Dimensions 112.5 x 154 cm (44.3 x 60.6 in) cyf
Flemish Baroque Era Painter, 1593-1678

   
 

 

 
   
      

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Jacob Jordaens

Flemish Baroque Era Painter, 1593-1678

Gemälde ID::  98047
Adam and Eve
1640s Medium oil on canvas Dimensions 112.5 x 154 cm cyf
Flemish Baroque Era Painter, 1593-1678

   
 

 

 
   
      

Jacob Jordaens
Flemish Baroque Era Painter, 1593-1678
Adam and Eve

        
 
   
 

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